“Idia” Expands Nollywood’s Horror Scope Yet Falters in Resolution

With subtle creeps, psychological unease, lurking shadows, red lights, and sinister undertones, Idia proves that “jump scares” aren’t the only hallmark of horror.

The film explores fear through the lens of Edo (Bini) mythology, centering on the “Ehimwem,” restless spirits said to linger in the world because their life’s purpose remains unfulfilled.

At its core, the story follows a resilient yet vulnerable young woman, Idia (Gbugbemi Ejeye of Farmer’s Bride). An orphan longing for family and belonging, Idia’s desperate search for love leads her into the unsettling home of Rose Osifo (Linda Osifo) and Efosa Osifo (Tope Tedela).

Taken in as a housekeeper, Idia soon discovers she must help preserve their family lineage at the expense of her sanity. What begins as a hopeful tale of adoption and affection slowly morphs into a chilling descent that changes her life forever.

Rooted in African mythology, Idia enriches Nollywood’s growing horror catalogue with cultural depth and originality. It evokes familiar urban myths like Madam KoiKoi but reimagines them with modern sophistication.

Co-directed by Ese Ariremu and Jide Jblaze Oyegbile, the film deliberately avoids the typical “jump scare” formula, opting instead for a slow-burn psychological tension that keeps viewers intrigued.

The film’s technical execution elevates its horror. Pacing, lighting, colour, and sound design create a consistent mood of unease, while well-framed shots capture its most sinister moments. The music evokes nostalgia, and the colour grading effectively reflects the film’s historical tone.

Dialogue and language are among Idia’s strongest points. Each line lands with weight, hinting at danger beneath calm surfaces. When Sister Dorcas tells Idia, “Because you are highly favoured,” viewers can sense the lurking menace in what sounds like a blessing. Likewise, Omonigho’s cryptic remark.“That party is your funeral”—lingers long after it’s said.

The performances further strengthen the film’s eerie atmosphere. Linda Osifo, who coincidentally shares her character’s surname, delivers a deliberate and composed portrayal of Rose Osifo, every glance measured to unsettling effect. Tope Tedela complements her energy with quiet intensity, and together they build a convincingly disturbing chemistry. Ejeye carries the film’s emotional weight as Idia, showcasing her range and vulnerability following her breakout in Farmer’s Bride (2024). Mercy Aigbe’s brief role is memorable, particularly her fluent use of Bini language.

As a whole, Idia is a commendable addition to Nollywood’s underexplored horror genre. It demonstrates that local myths, when properly adapted, can yield globally resonant stories. Yet, despite its creative ambition, the film falters in tying up its mysteries.

The most glaring loose end involves the carved wooden doll.dismissed by Idia’s stepsisters as “ugly.” Introduced in the opening scene and emphasized through Idia’s father’s warning (played by Lancelot Imasuen), the doll seems crucial to the story’s mythology but is ultimately abandoned without explanation. This missed opportunity dulls what could have been a richer cultural thread.

When the credits roll, viewers are left questioning whether Idia’s ordeal was real, a dream, or a trance. While this ambiguity could invite multiple interpretations, it also leaves the narrative feeling incomplete.

Even so, Idia achieves something rare for Nollywood horror: it disturbs without excess, engages without spectacle, and reminds audiences that true fear often lies in what remains unseen.or unanswered.

Release Date: October 24, 2025

Runtime: 2 hours 

Streaming Platform: None, Cinemas release

Director(s):  Ese Ariremu and Jide Jblaze Oyegbile 

Cast: Mercy Aigbe, Gbugbemi Ejeye, Linda Osifo, Tope Tedela, Adeola Awoden, Priscilla Okpara, Iche Fuego, Beloved Osagie, Jide Jblaze Oyegbile, Lancelot Imasuen, and Temitope Aje.