From Venice to Ghana to Silicon Valley, Zoey Martinson’s debut film The Fisherman proves that African cinema can blend comedy, fantasy, and cultural depth—captivating global audiences and redefining genre expectations.
BY Fareedat Taofeeq
With a hop, skip and a jump, Connie Ferguson is constantly on the move, with barely enough hours in a day to wave her magic wand containing equal measures of love, compassion and respect.
BY Suzy Bernstein
Malian filmmaker reflected on a lifetime of pushing African cinema towards its destined transformation just days before his passing.
BY Fareedat Taofeeq
Many folks will remember him as “Barker Haines,” the devious entrepreneur in Isidingo, South Africa’s soap opera (1998 – 2020). Beyond his infamous character on television, a close encounter with him is colorfully hilarious.
BY Suzy Bernstein
The impact of load-shedding on the arts is grueling, but the politicians and bureaucrats in charge of the state seem to care less.
BY Melody Emmett
Regaling others with operatic singing yet struggling with everyday issues, a corporate leads the way in bringing succor to black opera singers in South Africa
BY Melody Emmett
Sister’s Working in Film and Television is forestalling sharp practice
BY Suzy Bernstein
Onoshenuasi Nwabuikwu
Abioye Damilare Samson
Ikenna Churchill
Jamin Ohwovoriole