The Gambian kora player discusses the tradition behind her instrument, The Gambia Academy and why music accounts for only a small part of the work she does.
BY Fareedat Taofeeq
From Venice to Ghana to Silicon Valley, Zoey Martinson’s debut film The Fisherman proves that African cinema can blend comedy, fantasy, and cultural depth—captivating global audiences and redefining genre expectations.
BY Fareedat Taofeeq
Malian filmmaker reflected on a lifetime of pushing African cinema towards its destined transformation just days before his passing.
BY Fareedat Taofeeq
Many folks will remember him as “Barker Haines,” the devious entrepreneur in Isidingo, South Africa’s soap opera (1998 – 2020). Beyond his infamous character on television, a close encounter with him is colorfully hilarious.
BY Suzy Bernstein
In an exclusive interview with TNR, Oiza & Meyi reflect on their journey from viral bathroom freestyles to “Na Je” with Falz, their acting debut in Say Who Die, and the body of work shaping their next chapter.
BY Abioye Damilare Samson
In this feature, The Nollywood Reporter (TNR) speaks with notable sound design professionals, exploring the peculiarities of their job, its underrepresented world in Nollywood and the growing importance of their job in shaping the visual language of Nigerian cinema.
BY Esther Kalu
Riyo David on taking the risky role in All the Colours of the World Are Between Black and White, the power of the stage, and why he keeps moving
BY Ikenna Churchill
Onoshenuasi Nwabuikwu
Abioye Damilare Samson
Ikenna Churchill
Jamin Ohwovoriole