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SPOTLIGHT Hidden Cost of Creative Careers
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Sona Jobarteh on the Kora, Education and the Work Beyond Music

The Gambian kora player discusses the tradition behind her instrument, The Gambia Academy and why music accounts for only a small part of the work she does.

BY Fareedat Taofeeq

Sona Jobarteh performing with the kora, the instrument associated with her family’s jeli tradition and the musical career that has taken her to audiences around the world.
Zoey Martinson, writer-director of The Fisherman, which premiered at the 81st Venice Film Festival

Zoey Martinson’s “The Fisherman” Captures Ghana’s Coastal Beauty Through Magical Storytelling

From Venice to Ghana to Silicon Valley, Zoey Martinson’s debut film The Fisherman proves that African cinema can blend comedy, fantasy, and cultural depth—captivating global audiences and redefining genre expectations.

BY Fareedat Taofeeq

Souleymane Cissé: “Our Cinema Must Aim at the Development of Africa.”

Malian filmmaker reflected on a lifetime of pushing African cinema towards its destined transformation just days before his passing.

BY Fareedat Taofeeq

Robert Whitehead using a magnifying glass over an atlas

Robert Whitehead’s Head in the Stars, and Feet on the Ground

Many folks will remember him as “Barker Haines,” the devious entrepreneur in Isidingo, South Africa’s soap opera (1998 – 2020). Beyond his infamous character on television, a close encounter with him is colorfully hilarious.

BY Suzy Bernstein

MORE AFRICA

“Home Wrecker” Is A Radical Departure For Sorele Media

Zwane: “As writers we dig deep into our psychology, into parts of ourselves that we don’t share with every-day people ….”

BY Melody Emmett

SAFTA Unveils 2023 Nominees, And Tshedza Pictures Dominates with “The River” and “Legacy”

Viewers can cast their votes for the Best TV Presenter and Most Popular Telenovela or Soap using codes provided through the SAFTAs’ social media platforms and the NFVF website through Sept. 27.

BY Fareedat Taofeeq

Rachida El Garani: Between A Rock And A Hard Place

She is both Moroccan and Belgian, and she wants to use her forthcoming film to unpack the brutality and consequences of domestic abuse.

BY Suzy Bernstein

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Nollywood’s Evolution: What We Lost, What We Gained

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Remembering Rachel Dolezal in an Age of Dissent

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