Esther Kalu

In this feature, The Nollywood Reporter (TNR) speaks with notable sound design professionals, exploring the peculiarities of their job, its underrepresented world in Nollywood and the growing importance of their job in shaping the visual language of Nigerian cinema.

Take One Productions Concept, founded by Heavens Obule, opens an official call for short films ahead of the fifth edition of its Night of Shorts.

Dika Ofoma’s Obi is a Boy, Arie and Chuko Esiri’s Clarissa and Crocodile officially selected for Melbourne International Film Festival (MIFF) as Nigerian titles.

That Good Media, a public relations company led by Toyosi Etim Effiong, the wife of Nollywood actor, Daniel Etim Effiong, is set to launch Nigeria’s first-ever institution dedicated to the development of talent managers.

In an interview with The Nollywood Reporter (TNR), Tobe Nosike, the writer and director behind 12 Hours reflects on the film’s festival journey as it finally arrives on YouTube, to expand the reach of the film beyond festival platforms.

In a brief interview with The Nollywood Reporter (TNR),Ademola Adebisi, the director behind Dear Ella, reveals his personal connection to Dear Ella and how the resonance influenced the emotional core of the film.

Christopher Nolan’s latest film, The Odyssey has debuted with a 96% score on Rotten Tomatoes. It marks Nolan’s highest-rated film on the platform following The Dark Knight and Memento.

In a brief interview with The Nollywood Reporter (TNR), Oluwanifemi Abodunrin, the writer and producer behind Dear Ella, opens up about the creative process and challenges of bringing the film to life.

S16 film festival officially unveils the selected participants of the inaugural edition of its S16 labs, featuring Ella Chikezie of In Her Shoes.

In an exclusive interview with The Nollywood Reporter (TNR), Sonia John, the director and co-writer behind Ikemefuna: Big Boys Don’t Cry and Bolaji Gelax, the film’s producer, open up about the film and its underrepresented theme.