In a tribute to resilience and empowerment during International Women’s Month, The Macallan unveiled ”The Spirit of 1926,“ a cinematic homage to Janet Isabella Harbinson.
BY Fareedat Taofeeq
The UKZN’s Centre for Creative Arts’ JOMBA! Contemporary Dance Experience invites submissions for abstracts for its 2024 edition of the MASIHAMBISANE DIALOGUES.
BY Fareedat Taofeeq
The upcoming action thriller from Rixel Studios assembles screen veterans and Nollywood talent in a tantalizing first look at the kidnapping drama.
BY Fareedat Taofeeq
An upcoming interactive theatre performance explores interracial relationships and cultural clashes through the lens of a comedic family drama, starring Israeli-Nigerian actress Ronya Man.
BY Fareedat Taofeeq
As excitement mounts for the milestone 10th edition of the Africa Magic Viewers’ Choice Awards (AMVCA), the stage is set for a celebration of excellence in African film and television
BY Fareedat Taofeeq
Kunle Afolayan’s “Anikulapo: Rise of the Spectre” dazzles with its visual splendor and impressive ensemble cast, but this Nollywood series struggles to maintain a cohesive narrative.
BY Fareedat Taofeeq
Isioma Osaje’s ambitious debut feature promises a fresh take on time-loop comedy. Despite earnest performances and creative flashes, the Nollywood film stumbles with inconsistent tone and pacing.
BY Fareedat Taofeeq
Led by Mr. Macaroni and Lasisi Elenu, the film falters at times with exaggerated humor and technical glitches, but its infectious energy and genuine laughs make it a worthwhile addition to the genre.
BY Fareedat Taofeeq
Temitope Bolade-Akinbode’s “On The Edge” is an examination of the human capacity for moral erosion. While the film deftly avoids melodramatic excess, it doesn’t entirely stick the landing.
BY Fareedat Taofeeq
“Kill Boro” takes audiences on a thrilling ride through the unforgiving street of Azuama.
BY Fareedat Taofeeq