- News
Olamide’s “Olamidé” Debuts At No. 6 On Billboard Chart
The self-titled album marks his eighth entry, tying with Fela for the most by a Nigerian artiste.
BY Henry-Damian Justice
Henry-Damian Justice
Staff Writer
STORIES BY Henry-Damian Justice
- Film
“The Shadow of Greed” Wears Greed Like a Crown Nigerians Know Too Well
Director Akay Mason confronts corruption, complicity, and community exploitation in a sharp new thriller about Nigeria’s uneven development.
BY Henry-Damian Justice
- Business
“F1: The Movie” Opens Globally With $144M, Apple’s Biggest Yet
Brad Pitt’s racing drama delivers record-breaking debut, earning $144 million worldwide and becoming Apple’s most successful release to date.
BY Henry-Damian Justice
- Business
“Lilo & Stitch” Set to Be First $1B Hollywood Hit of 2025
Despite global success and soaring box office numbers, “Lilo & Stitch” is struggling to find the same audience in Nigeria, where ticket sales have been below expectations.
BY Henry-Damian Justice
- Business
John Wick’s “Ballerina” Maintains Weekday Box Office Lead
The action spin-off loses the weekend battle to “Iyalode” but thrives during the workweek.
BY Henry-Damian Justice
- Business
“Pixar’s “Elio” Sees Box Office Boost After Weak Opening
The original animation is being saved at the box office by positive word-of-mouth
BY Henry-Damian Justice
- Music
Olamide’s Self-Titled Album Makes History After One Week Debut
Olamide’s 15th album sets records, becoming Nigeria’s third-biggest Spotify debut with 19.1M streams in just one week.
BY Henry-Damian Justice
- Business
“Ori: The Rebirth” Slows Down But Crosses ₦400M Milestone
Ori: The Rebirth” slows after a stellar seven-week run but crosses the ₦400M milestone, cementing its place in 2025’s box office history.
BY Henry-Damian Justice
- Business
“28 Years Later” Opens With ₦13.3M in Nigeria, $60M Globally
Danny Boyle’s “28 Years Later” scares up ₦13.3M in Nigeria and $60M globally, leading new releases with a commanding box office debut.
BY Henry-Damian Justice
Lil Kesh Raps, but Won’t Label Himself a Rapper
Lil Kesh may drop bars, but don’t call him a rapper—his artistry defies labels and he’s owning every beat of his unique sound.
BY Henry-Damian Justice