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Ikenna Churchill

Staff Writer

STORIES BY Ikenna Churchill

Promotional poster for Zaaminar Season 1, featuring a lightning-armored hero raising ancient stone tablets, flanked by a Hausa swordsman, a warrior with twin blades, and Queen Amina on horseback, with the tagline “Hausa Historical Legends”

Film

Ahmed Muhammad Bande’s Vision for “Zaaminar” and the Vortex Expanded Universe

Ahmed Muhammad Bande on Zaaminar, a Hausa superhero universe built on ancestral memory, and why Nigeria is ready for homegrown global heroes.

BY Ikenna Churchill

One Woman One Bra film poster, featuring laurels from Venice 82, BFI London Film Festival (Sutherland Award Winner), and Tribeca 2026.

Film

How “One Woman One Bra” Moved from a Kenyan Village to Venice

Joshua Olaoluwa talks about producing One Woman One Bra, shooting in a Kenyan village with no electricity, and winning at Venice and BFI London.

BY Ikenna Churchill

The Toll - A film crew's camera faces the perpetual demand that has become a production line item

Business

How Street Extortion Is Pushing Nollywood Off Lagos Locations

Bimbo Ademoye’s confrontation with street touts exposed a growing crisis. Agberoism is pushing Nollywood off real Lagos locations and into sanitized sets, changing the visual language of Nigerian film forever.

BY Ikenna Churchill

Chimezie Imo photographed in Lagos. The Imo State-born actor began performing at age six in his church drama group and later described his Next Movie Star reality show experience as his equivalent of film school.

Film, Newbies

Chimezie Imo on Silence and Subtlety in Acting

Chimezie Imo opens up about emotional restraint, finding refuge in acting, turning down false roles, and why he lets the work speak. An exclusive Nollywood Reporter feature.

BY Ikenna Churchill

The Boy Who Gave movie poster with Allison Precious Emmanuel as Broda standing in front

Film

“The Boy Who Gave” Is a Beautiful Film in Search of a Better Story

The Boy Who Gave is a visually stunning debut shot in Bonny, but its storytelling struggles under the weight of its own ambition. Tina Mba and Blossom Chukwujekwu shine.

BY Ikenna Churchill

In this quiet, contemplative moment, Alex Ekubo (Paul) embodies the weight carried by every young man shaped by the NwaBoi apprenticeship system: halfdreamer, halfsurvivor. His backward cap and steady gaze hint at a character suspended between youthful ambition and the ancestral expectations that define Igbo masculinity. The scene captures the film’s emotional core: a generation negotiating loyalty, identity, and the price of becoming someone in a world where success is both a burden and a birthright.

Film

The Last Frame: Alexx Ekubo’s Enduring Nollywood Legacy

Remembering Alexx Ekubo after his death at 40, this tribute explores his final performance in Áfàméfùnà: An Nwa Boi Story, with director Kayode Kasum reflecting on the Nollywood star’s quiet legacy, enduring talent, and lasting impact on Nigerian cinema.

BY Ikenna Churchill

Uchenna Ugwu’s I Too, Crave Death enters the Nollywood landscape like a quiet wound. It is unshowy, unhurried, but devastating in its honesty. It is a film that refuses spectacle, choosing instead to sit with the raw, unvarnished ache of being alive in a society where suffering is often inherited, normalized, or dismissed as the price of survival. In doing so, the film becomes more than a narrative; it becomes a cultural mirror held up to a generation negotiating despair in a country that rarely pauses long enough to acknowledge it.

Film

Uchenna Ugwu’s “I Too, Crave Death” Short Film Explores Grief Inside a Stalled Car

Uchenna Ugwu’s I Too, Crave Death is a haunting short film that examines grief, isolation, and emotional collapse through the confined setting of a stalled car, offering a powerful cinematic meditation on loss and human vulnerability.

BY Ikenna Churchill

From shaping the visual language of Afrobeats to crossing into Nollywood filmmaking, Dammy Twitch represents a generation of Nigerian creatives redefining entertainment through multimedia storytelling. His work reflects how music videos evolved from promotional tools into cultural artifacts that influence fashion, youth identity, dance culture, and the global perception of contemporary African creativity.

Film

Exclusive: Dammy Twitch Discusses Debut Nollywood Film “Call of My Life”

Dammy Twitch discusses his debut Nollywood film Call of My Life, reflecting on his transition from directing iconic Afrobeats music videos to filmmaking and the personal experiences shaping one of Nigerian cinema’s most anticipated new projects.

BY Ikenna Churchill

The devil wears Prada film official poster 2 (feature image)

Film

“The Devil Wears Prada 2” Is Better Than It Had Any Right to Be

Twenty years later, Andy Sachs returns as a laid-off journalist navigating a collapsing media industry. This review examines how The Devil Wears Prada 2 uses the decline of print to ground its story, with strong performances from Anne Hathaway and Emily Blunt.

BY Ikenna Churchill

Blessing Onwukwe and Uche Montana share a tense mother-daughter moment in the poster for their film, Monica.

Film

“Monica” is saved by its cast, yet fails to earn its sequel

Uche Montana’s Monica is a powerful family drama, undone by bad makeup and an unnecessary sequel. Our 2.5/5 Nollywood review explains why.

BY Ikenna Churchill

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