Ikenna Churchill

The Boy Who Gave is a visually stunning debut shot in Bonny, but its storytelling struggles under the weight of its own ambition. Tina Mba and Blossom Chukwujekwu shine.

Remembering Alexx Ekubo after his death at 40, this tribute explores his final performance in Áfàméfùnà: An Nwa Boi Story, with director Kayode Kasum reflecting on the Nollywood star’s quiet legacy, enduring talent, and lasting impact on Nigerian cinema.

Uchenna Ugwu’s I Too, Crave Death is a haunting short film that examines grief, isolation, and emotional collapse through the confined setting of a stalled car, offering a powerful cinematic meditation on loss and human vulnerability.

Dammy Twitch discusses his debut Nollywood film Call of My Life, reflecting on his transition from directing iconic Afrobeats music videos to filmmaking and the personal experiences shaping one of Nigerian cinema’s most anticipated new projects.

Twenty years later, Andy Sachs returns as a laid-off journalist navigating a collapsing media industry. This review examines how The Devil Wears Prada 2 uses the decline of print to ground its story, with strong performances from Anne Hathaway and Emily Blunt.

Uche Montana’s Monica is a powerful family drama, undone by bad makeup and an unnecessary sequel. Our 2.5/5 Nollywood review explains why.

In an exclusive interview with The Nollywood Reporter, Kayode Kasum discusses his journey from “Dognapped” to “Love and New Notes,” his creative partnership with Timini Egbuson, abandoning Western validation, and the evolving future of authentic Nollywood storytelling.

After 11 years, the Africa Magic Viewers’ Choice Awards still faces questions on impact, fairness, industry growth, and what remains unsolved in African film.

Africa Magic’s new dramedy Dividends follows three strangers whose lives collide after a Ponzi scheme collapse. Starring Riyo David, the series airs Mondays to Wednesdays on Africa Magic Showcase.

Toka McBaror’s ‘The Creek’ brings the Niger Delta to the screen with ambition but struggles with weak action, unclear visuals, and narrative gaps. Bucci Franklin shines, but the film fails to advance Nollywood’s action genre.