Bofan Zhang: Trailblazer in Cross-Cultural Filmmaking and Vertical Storytelling

Bofan Zhang’s career as a creative producer has been marked by a  blend of cultural diversity and a  commitment to social change through storytelling.

Based in Los Angeles and holding an MFA in Creative Producing from Columbia University, Bofan has produced award-winning films, including “BLEEDING” (Best Screenplay at Grimmfest) and “CHILDREN OF LIGHT”, a DGA and BAFTA Shortlisted film that was also a Student Oscar Finalist.

Currently a fellow in Film Independent Project Involve, Bofan is part of a select group of filmmakers from traditionally underrepresented communities. This prestigious development program runs from February to October and supports filmmakers in various roles, including producers, directors, cinematographers, and writers, providing mentorship and hands-on training.

As a member of this year’s fellowship alongside filmmakers like Josh Olaoluwa, Angelia Sciulli, and Jeremy Brockman, Bofan continues to refine her craft and explore new ways to tell impactful stories that bridge cultures.

With a portfolio that includes notable films like “THE UNINVITED” (starring Elizabeth Reaser and Walton Goggins) and “GO THROUGH THE DARK” (recognized at DOC NYC and Big Sky), Bofan’s work demonstrates a dedication to creating narratives that resonate with audiences across the globe.

In this exclusive interview with The Nollywood Reporter, she shares her experiences navigating the film industries of China, South Korea, and the U.S., and discusses her vision of using cinema as a tool for social awareness.

From Crabs and Cattle to Cameras 

Zhang’s childhood in southern China was steeped in the natural beauty of mountains, streams, and a way of life deeply connected to the land. “Catching crabs in streams and herding cattle in the mountains shaped my artistic sensibilities,” she recalls. This intimate connection with nature instilled a sense of wonder and simplicity that continues to influence her storytelling.

Her artistic journey took a decisive turn after the national college entrance exam, leading her to Beijing to study visual storytelling. Immersed in the bustling cultural hub of China’s capital, she began to lay the foundation for a career that would span continents and genres.

A Career Rooted in Realism 

Early in her career, Zhang gravitated toward realism, focusing on stories that spotlight underrepresented communities, particularly children. Her projects often delved into social issues, offering nuanced perspectives that resonated deeply with audiences. “Realism allowed me to tell stories that raised social awareness while connecting with people on a fundamental level,” she explains.

As her career progressed, Zhang ventured into new genres and took on larger-budget projects. Yet, her commitment to meaningful storytelling remained unwavering, shaping her approach to filmmaking across borders.

Learning from Legends 

Zhang holds immense respect for her peers, including Wei Shujun and Kong Dashan, whom she refers to as “teachers.” Their innovative blending of artistic storytelling with mainstream appeal has inspired her to explore the intersection of narrative authenticity and market-driven innovation.

Through her projects, Zhang aims to expand the global understanding of Chinese cinema, pushing boundaries while respecting its rich traditions.

Pioneering Vertical Storytelling and Overcoming Challenges 

One of Zhang’s most groundbreaking achievements is her work in vertical storytelling, which pushes the boundaries of how films can be experienced. At ReelShort, she produced the world’s first 100-minute vertical mobisode series, shot entirely on iPhones without external lenses. This project was both a technical feat and a bold statement about the democratization of filmmaking. “Today, almost everyone has a phone. I wanted to show that you don’t need expensive equipment to tell compelling stories,” she explains.

While vertical storytelling differs from traditional cinema, Zhang views it not as a replacement but as a complementary medium that responds to changing viewing habits. “It’s a response to evolving viewing habits,” she says, emphasizing its ability to engage mobile-first audiences while maintaining narrative depth.

The creation of this vertical mobisode series was not without its challenges. Zhang reflects on the extensive research and technical hurdles she encountered during the production. The project involved rethinking how to tell a story with a limited yet powerful tool: the mobile phone. “It was a bold experiment,” she admits, recognizing it as both a technical challenge and a creative exploration.

For Zhang, this innovative use of mobile technology was driven by a desire to prove that compelling drama could be created with accessible tools, breaking down traditional barriers to entry in filmmaking. “Everyone has a phone today. I wanted to show that anyone can tell a powerful story without needing expensive equipment,” she adds.

Ultimately, Zhang’s venture into vertical storytelling was about more than innovation—it was about making filmmaking accessible to a broader, mobile-first audience while maintaining a commitment to meaningful, impactful storytelling.

Influence of Festivals and Platforms on her Career Trajectory

Zhang’s journey as a filmmaker has been significantly shaped by the opportunities offered through festivals like the Pingyao International Film Festival and the Changchun Film Festival. “I had two Chinese feature film projects selected by many such initiatives or funding platforms for emerging filmmakers in China,” she shares. “I am a beneficiary of these opportunities. Early in my career, the resources, awards, and funding provided through these festivals were instrumental in helping me establish myself.” These platforms not only expanded her industry knowledge but also cultivated core values that continue to guide her filmmaking approach.

Balancing Cultural Authenticity and Global Appeal

Zhang’s filmmaking ethos is deeply rooted in her native culture, yet she consistently seeks ways to ensure that her stories resonate with international audiences. Reflecting on the global impact of films like “Journey to the West”, she notes, “Although my current works have not yet reached the level of influence and appeal of “Journey to the West”, my voice is deeply rooted in my native culture.” She emphasizes the importance of finding a balance between cultural authenticity and universal appeal. Through collaborations with international filmmakers, Zhang works continuously to refine her approach, ensuring that her projects both celebrate her heritage and align with her long-term career goals. Each project she undertakes helps her hone this balance, furthering her aim to create stories with both cultural and global resonance.

The Impact of Film Independent Project Involve Fellowship on Filmmaking

Zhang’s experience as a Film Independent Project Involve Fellow has been transformative in shaping her filmmaking journey. “My time as a Film Independent Fellow was transformative,” she reflects. Through the Film Independent Project Involve  collaborative short film projects, she had the opportunity to connect with an exceptional group of talented filmmakers from diverse cultural backgrounds. Although completing a short film was part of the curriculum, Zhang emphasizes that the real value was in networking and fostering a sense of belonging within the creative community. She was inspired by how each artist stayed true to their voice and community, allowing their passion and authenticity to fuel their work.

Nollywood’s Global Potential and Opportunities for Collaboration

Zhang’s exposure to Nollywood films has greatly influenced her perspective on global storytelling. She recalls her undergraduate days when her professor recommended the classic Nollywood film “Osuofia in London”, and she was immediately struck by its dynamic storytelling, cultural richness, and humor. “As someone who values works with strong cultural representation, I find Nollywood’s commitment to showcasing its heritage while exploring global themes truly inspiring,” she says. This unique blend of local relevance and international appeal is one of Nollywood’s key strengths, and Zhang believes the industry has immense potential to expand its global reach.

Drawing on her own experiences, Zhang suggests that Nollywood could tap into the growing demand for short-form content tailored to mobile platforms, a format that has already proven successful in other markets. “Nollywood stands out with its immense market potential, a globally appealing aesthetic, and an open-minded approach to storytelling,” she observes. With so many talented filmmakers in the industry, Zhang is optimistic about the future of Nollywood, emphasizing that the question is not “if” the industry will go global, but “when” someone will lead this charge.

Zhang also sees great potential for collaboration between Nollywood and filmmakers from industries she’s worked in, such as Hollywood and Asian cinema. She notes that Nollywood filmmakers actively travel to the U.S. to explore opportunities and connect with their peers, and that China is increasingly appreciative of African cultures. Nollywood’s openness to diverse perspectives is key to its future success. “These filmmakers, with their dual cultural backgrounds, will ultimately act as bridges for collaboration between Nollywood, Hollywood, and Asian cinema,” she explains. With this global outlook, Zhang believes Nollywood will continue to evolve as a dynamic space for creative storytelling, capable of transcending cultural boundaries while maintaining authenticity.

Breaking the Mold: Chinese Cinema Beyond Martial Arts 

When asked about misconceptions surrounding Chinese cinema, Zhang laughs, acknowledging the global association of the industry with martial arts and historical epics. “While those genres are significant, they’re just one part of our cinematic heritage,” she explains.

Chinese cinema, she argues, is far more diverse and innovative than many realize. However, strict censorship rules often push filmmakers toward “safe zones,” perpetuating stereotypes. Zhang’s work challenges these perceptions by highlighting the breadth of contemporary Chinese storytelling.

Looking Ahead

Zhang remains passionate about realism-based films that explore social issues, as well as projects with space-related themes. Her next venture involves using virtual production for a vertical mobisode series, further pushing the boundaries of technology and creativity.

“I hope to create stories that entertain, educate, and inspire,” she says, emphasizing the importance of diversity and representation in global cinema.