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Netflix’s “House of Ga’a” Gets Release Date, Debuts New Stills

The 18th-century biopic is set to be released on Netflix on July 26.
July 3, 2024
6:40 pm

Four months after its initial announcement, Bolanle Austen-Peters’ 18th-century biopic, “House of Ga’a,” has received a Netflix release date. The streaming giant has scheduled this highly anticipated project for a July 26 release, along with sharing exclusive stills from the film.

 

“House of Ga’a” narrates the story of Bashorun Ga’a, a ruthless 18th-century kingmaker of the Oyo Empire, who wielded deceit and voodoo to maintain his reign, only to be undone by his own blood. This biopic promises to delve deep into the life and times of this formidable historical figure.

 

 

The film features a star-studded cast, including Femi Branch, Mike Afolarin, Funke Akindele, Toyin Abraham, Ibrahim Chatta, Dele Odule, Bimbo Manuel, Lateef Adedimeji, Femi Adebayo, Gabriel Afolayan, Jide ‘JBlaze’ Oyegbile, Seun Akindele, Yemi Blaq, Adeniyi Johnson, Muyiwa Ademola, William Benson, Gbenga Titiloye, and Kunle Coker.

 

While the trailer’s debut is still awaited, cinematographer John Njaga Demps hinted at a possible release date, saying, “I hear it will be released next week.” Demps, a Senegalese-based American, also discussed the immense effort behind the production, mentioning that the village set was built from the ground up in Epe, thereby providing numerous jobs for the local population. He added, “Expect to see many horses in the film,” highlighting the Oyo Empire’s renowned cavalry.

 

Bolanle Austen-Peters has a clear affinity for biopics, evident from her previous success with “Funmilayo Ransome-Kuti.” That film concluded its five-week theatrical run on June 20, grossing ₦156 million, and is now available on Prime Video.

 

 

In an interview with The Nollywood Reporter, Austen-Peters discussed the types of stories and themes she hopes to explore in her projects. She aims to tell stories that highlight significant historical figures, social issues, and underrepresented communities. Her focus is on themes of identity, resilience, and cultural heritage, aiming to create narratives that entertain, educate, and inspire, fostering a greater understanding and appreciation of diverse experiences.

 

Austen-Peters also shared her vision for the Nigerian film industry. She aspires to see diverse stories told with authenticity and excellence, hoping Nigerian films gain global recognition for their quality and cultural significance. By nurturing emerging talent and pushing the boundaries of storytelling, she aims to elevate the industry, ensuring that Nigerian history is remembered, stories are told, and voices are heard and celebrated both locally and globally.

 

 

“House of Ga’a,” like “Funmilayo Ransome-Kuti” and “Amina” (2021), promises to be a significant addition to the array of stories about historical Nigerian heroes—and villains—offering viewers a visual glimpse into their rich history.

 

“Netflix is really excited about the project,” Demps noted, highlighting the streaming platform’s enthusiasm for this unique historical narrative.

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