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SPOTLIGHT Hidden Cost of Creative Careers
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SPOTLIGHT Hidden Cost of Creative Careers in Nigeria

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Fireboy DML Gets Personal With “ZUKO!”

Across 40 minutes of R&B, dancehall, house and three-step, Fireboy DML delivers his most vulnerable and personal album yet.

BY Abioye Damilare Samson

Fireboy DML during the ZUKO! album campaign, a project that brings questions of faith, identity and personal struggle into his songwriting.
FOLA’s custom “9” chain references the football striker metaphor behind his sophomore album, a project built around his run of successful releases.

FOLA’s “9” Finds New Shades Within Its Signature Sound

On his sophomore album, the Nigerian singer-songwriter moves between romance, faith and ambition with his honeyed vocals intact, but occasionally struggles to sustain momentum when familiar patterns recur without enough variation.

BY Abioye Damilare Samson

The cover artwork for Gaise Baba’s God Is Cooking, featuring the artiste seated on a throne with a plate and an image of Reverend J. J. Ransome-Kuti. The artwork connects the album’s contemporary musical direction with the historical figure whose 1922 recording features on the project.

For Gaise Baba, Afro-Gospel Has Room for Every Sound

On God Is Cooking, the Nigerian gospel artiste moves across contemporary genres while drawing on a 1922 recording by Reverend J. J. Ransome-Kuti, connecting Afro-Gospel’s present to its musical history.

BY Abioye Damilare Samson

The restored National Theatre in Lagos, now known as the Wole Soyinka Centre for Culture and the Creative Arts, following its reopening in October 2025.

The National Theatre’s Emerging Role in Nigerian Live Music

From Adekunle Gold’s orchestral concert to Davido’s forthcoming residency, the restored Wole Soyinka Centre for Culture and the Creative Arts is creating new possibilities for live performance, though its long-term place in the music industry remains to be seen.

BY Abioye Damilare Samson

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