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SPOTLIGHT Hidden Cost of Creative Careers
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SPOTLIGHT Hidden Cost of Creative Careers in Nigeria

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Sona Jobarteh on the Kora, Education and the Work Beyond Music

The Gambian kora player discusses the tradition behind her instrument, The Gambia Academy and why music accounts for only a small part of the work she does.

BY Fareedat Taofeeq

Sona Jobarteh performing with the kora, the instrument associated with her family’s jeli tradition and the musical career that has taken her to audiences around the world.
Zoey Martinson, writer-director of The Fisherman, which premiered at the 81st Venice Film Festival

Zoey Martinson’s “The Fisherman” Captures Ghana’s Coastal Beauty Through Magical Storytelling

From Venice to Ghana to Silicon Valley, Zoey Martinson’s debut film The Fisherman proves that African cinema can blend comedy, fantasy, and cultural depth—captivating global audiences and redefining genre expectations.

BY Fareedat Taofeeq

Souleymane Cissé: “Our Cinema Must Aim at the Development of Africa.”

Malian filmmaker reflected on a lifetime of pushing African cinema towards its destined transformation just days before his passing.

BY Fareedat Taofeeq

Robert Whitehead using a magnifying glass over an atlas

Robert Whitehead’s Head in the Stars, and Feet on the Ground

Many folks will remember him as “Barker Haines,” the devious entrepreneur in Isidingo, South Africa’s soap opera (1998 – 2020). Beyond his infamous character on television, a close encounter with him is colorfully hilarious.

BY Suzy Bernstein

MORE AFRICA

Netflix Bolsters South African Entertainment Portfolio with Renewals and New Projects

Elevating South African Stories, Netflix pledge to diverse narratives.

BY Fareedat Taofeeq

Good Girls Go To Heaven, Bad Girls Go Everywhere

South African actress, singer, traditional doctor, and TV personality Letoya Makhene-Pulumo ruminates on the demands and rewards of playing a bad girl.

BY Melody Emmett

Cradle of Creativity 2023 Still Ongoing in Joburg

The festival offers several unique activities with productions directed at theatregoers from the age of two all the way up to young adults, as well as adults.

BY Suzy Bernstein

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Olodo Uprising: Ycee, Peller, and the Honest Mirror of a Failing Nation

Ikenna Churchill

Nollywood’s Evolution: What We Lost, What We Gained

Jamin Ohwovoriole

Remembering Rachel Dolezal in an Age of Dissent

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