Skip to content

SPOTLIGHT Hidden Cost of Creative Careers
in Nigeria

SPOTLIGHT Hidden Cost of Creative Careers in Nigeria

  • SUBSCRIBE

Olamide’s Self-Titled Album Makes History After One Week Debut

It’s now the third biggest opening week for a Nigerian album on Spotify.

June 27, 2025

12:47 pm

Olamide Album Poster

Olamide’s self-titled 15th studio album, “Olamidé”, has made a historic debut just one week after its release.

 

The 17-track project recorded 19.1 million streams in its first week on Spotify Nigeria, making it the third biggest opening week ever for a Nigerian album on the platform. Only Wizkid’s “Morayo” (35.8 million) and Davido’s “5ive” (27.6 million) had higher first-week numbers.

 

The album also secured global recognition, ranking fifth on Spotify’s Top Albums Debut Global chart and ninth on the Top Albums Debut USA chart.

 

Prior to this, “Olamidé” had already broken records on its opening day, earning 4.9 million streams, the highest for a Nigerian rap album and the fourth highest overall across all genres.

 

Olamide

At the time of writing, “Olamidé” remains the top album on Spotify Nigeria, while “99” — the 11th track featuring Deacolm holds the top spot on the country’s song chart. However, it now faces competition from “Billionaire’s Club” (also from the album) and “Ewo” by the Uzama brothers.

 

Below are the Nigerian albums with the highest opening week streams according to The Debut Hub:

 

  1. Morayo – Wizkid: 35.8 million
  2. 5ive – Davido: 27.6 million
  3. Olamidé – Olamide: 19.1 million
  4. Lungu Boy – Asake: 18.9 million
  5. Timeless – Davido: 14.4 million
  6. HEIS – Rema: 12.3 million
  7. I Told Them… – Burna Boy: 9.4 million
  8. Gen Z – Zinoleesky: 8.94 million
  9. Children of Africa – Seyi Vibez: 8.66 million
  10. Work of Art – Asake: 8.3 million
ADVERTISEMENT

ESSENTIAL READS

Kayode Is Bringing Fuji Into Contemporary Trap

Sona Jobarteh on the Kora, Education and the Work Beyond Music

Yemi Alade’s “It’s Yemi Alade” Finds Strength in Its Pan-African Reach

Seyi Vibez’s “Swaguu” Fails to Capture the Magic of His Artistry

Tems and the Debate Around Genre Labels in African Music

The Headies and Nigerian Music’s Global Moment

ADVERTISEMENT

COMMENTS

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

NEWS

  • Latest News
  • Culture & Politics
  • Tech & Digital
  • Music
  • LA/Local
  • Sustainability

FILM

  • News
  • Features
  • Reviews
  • Box Office
  • Heat Vision

TV

  • News
  • Features
  • Reviews
  • Ratings
  • Live Feed
  • Heat Vision
  • The Fien Print
  • TV's Top 5 Podcast

THEATER

  • News
  • Features
  • Reviews
  • Ratings
  • Heat Vision

LIFESTYLE

  • News
  • Style
  • Shopping
  • Arts
  • Real Estate
  • Rambling Reporter

BUSINESS

  • News
  • Features & Columns
  • Representation
  • THR, ESQ

INTERNATIONAL

  • International News
  • Video
  • Podcasts
  • Featured Voices

OTHER ESSENTIALS

  • Fan Picks
  • Listicles
  • Podcasts
  • Weekly Newsletters

FOLLOW US

Alerts & Newsletters

  • About Us
  • Advertise
  • Careers
  • Weekly Newletters
  • Contact Us
  • Accessibility

© Rhythm Media Group LLC 2022

error: TNR Content is protected !!