“My Father’s Shadow,” “Lady” Top National Film Awards UK Nominations

Nigerian and international productions dominate this year’s National Film Awards UK shortlist, spotlighting rising industry acclaim and global audience impact.

May 8, 2026
12:57 pm
My Father’s Shadow announces itself as more than a film; it reads like a cultural reckoning. The imagery alone, two bodies intertwined in a gesture that is equal parts protection, burden, and inheritance, signals a story about lineage: the weight of what fathers pass down, the tenderness they often struggle to articulate, and the emotional architecture sons must learn to navigate.
My Father’s Shadow announces itself as more than a film; it reads like a cultural reckoning. The imagery alone, two bodies intertwined in a gesture that is equal parts protection, burden, and inheritance, signals a story about lineage: the weight of what fathers pass down, the tenderness they often struggle to articulate, and the emotional architecture sons must learn to navigate.

The National Film Academy has announced the official nominations for the 12th Annual National Film Awards UK, with Nigerian talents earning significant recognition across multiple categories which will be held on July 1, in London. 

 

Among the standout nominees is My Father’s Shadow by Akinola Davies Jr., which secured a nomination for Best Feature Film 2026 alongside titles such as The Magic Faraway Tree, Wasteman, The Thursday Murder Club, and Past Life. The film is also nominated for Best Independent Film and Best International Film, highlighting its global impact.

 

Lady feels like a story rooted in the pulse of contemporary youth culture, the politics of visibility, and the quiet rebellions that happen inside cramped spaces where people gather to breathe, dream, and survive together. The car becomes more than a vehicle; it becomes a stage, a shelter, a confessional, and a battleground for identity.
Lady feels like a story rooted in the pulse of contemporary youth culture, the politics of visibility, and the quiet rebellions that happen inside cramped spaces where people gather to breathe, dream, and survive together. The car becomes more than a vehicle; it becomes a stage, a shelter, a confessional, and a battleground for identity.

On the other hand, British- Nigerian actor Nonso Anozie was nominated for Best Supporting Actor 2026, competing against Stephen Graham, Andrew Garfield, Art Malik, Paul Mescal, Ben Kingsley, Tim Roth, Alex Hassell, and Adam Deacon. 

 

A warm bowl of Jollof meets the bold spice of Kimchi in this British–South Korean drama, where food becomes a bridge between continents, identities, and generations. Jollof and Kimchi celebrates the beauty of cultural collision by showing how migration, memory, and shared meals can stitch communities together in a world that often keeps them apart.”
A warm bowl of Jollof meets the bold spice of Kimchi in this British–South Korean drama, where food becomes a bridge between continents, identities, and generations. Jollof and Kimchi celebrates the beauty of cultural collision by showing how migration, memory, and shared meals can stitch communities together in a world that often keeps them apart.”

In the Best Director category, both Olive Nwosu (Lady) and Akinola Davies Jr. (My Father’s Shadow) are nominated alongside international heavyweights including Brian Cox, Chloé Zhao, Antoine Fuqua, and Chris Columbus. Lady also earned nominations for Best Action in a Film/TV Series and Best British Film 2026.

 

Nonso Anozie’s body of work has always carried the weight and quiet majesty of a man who understands that acting is not merely performance: it is presence. He is an actor who moves like someone aware of the terrain beneath his feet. And across film, television, and stage, Anozie has carved out a space for himself as one of the most quietly commanding performers of his generation.
Nonso Anozie’s body of work has always carried the weight and quiet majesty of a man who understands that acting is not merely performance: it is presence. He is an actor who moves like someone aware of the terrain beneath his feet. And across film, television, and stage, Anozie has carved out a space for himself as one of the most quietly commanding performers of his generation.

Sophie Okonedo has been nominated for Best Supporting Actress in a TV Series 2026 for her role in Slow Horses Season 5, joining a competitive field that includes Zoe Wanamaker, Katie Leung, Amaka Okafor, and Kristin Scott Thomas. 

 

Sophie Okonedo’s artistry in Slow Horses Season 5 stands out because she brings emotional intelligence, moral ambiguity, and quiet authority to a series that grows darker, sharper, and more psychologically layered.
Sophie Okonedo’s artistry in Slow Horses Season 5 stands out because she brings emotional intelligence, moral ambiguity, and quiet authority to a series that grows darker, sharper, and more psychologically layered.

Emerging talent is also in the spotlight, with the Egbo Brothers — Godwin and Chibuike Marvellous Egbo nominated for Best Newcomer 2026 for their brilliant performance in My Father’s Shadow while Jessica Gabriel’s Ujah (Lady) is nominated for Outstanding Performance 2026, competing alongside Idris Elba, Nathalie Emmanuel, and Riz Ahmed.

 

My Father’s Shadow gains an added emotional voltage when viewed through the presence of Godwin Egbo and Chibuike Marvellous-Egbo—two boys whose performances deepen the film’s meditation on inheritance, memory, and the fragile architecture of father–son relationships.
My Father’s Shadow gains an added emotional voltage when viewed through the presence of Godwin Egbo and Chibuike Marvellous-Egbo—two boys whose performances deepen the film’s meditation on inheritance, memory, and the fragile architecture of father–son relationships.

In addition, Jollof and Kimchi, a UK/South Korea/Nigeria collaboration, was nominated for Best Vertical Series 2026, reflecting the growing influence of Nigerian creatives in cross-cultural projects.

 

These nominations mark a strong presence for Nigerian filmmakers, actors, and others with ancestral relationship with Nigeria on the international stage, with My Father’s Shadow and Lady leading the charge across multiple categories.

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